We have invited artists from around the world to produce creative responses to the research findings from these projects.
These responses include:
Poetry, verbatim poetry, and poetry films
Songs and music
Drawings, paintings, and murals
The full collection is accessible through this page.
Some of these are also available in Spanish, Arabic, Kiswahili and Bahasa Indonesia.
Film: Greater Than Love
Greater Than Love (04:36 mins) is a short mix media film by Alejandra Jimenez. The film is inspired by the words of a woman human rights defender from Mexico working on women’s rights and enforced disappearances, arranged into two verbatim poems by Juliana Mensah, The Phone and Greater than Love.
The Spanish version is available here.
Film: Dust on Paper
In Making Human Rights Defenders (06:40 mins) by Emilie Flower, human rights defender and lawyer Johana Rocha Gómez reflects on the expectations people have about 'human rights defenders'.
In The Sound of Defending Human Rights (08:25 mins), Emilie Flower reflects on the emotional experience of making a film about human rights defenders at risk in an improvised sketch with the cellist Gaia Blandina.
Poetry Films: 'Affective Necessities' and 'To Die for My Work'
Roberta Letizia, Kenther Ramos, Xinyi Chen, Michael Rolph, Martha Chaparanganda, and Tsun Fai Jason So.
These poetry films are based on verbatim poetry created by Juliana Mensah from interview transcripts from the project 'Navigating Risk, Managing Security and Receiving Support'.
Songs of Equality
Uprising by Steve Kyenze and the young artists of Nyota Art Gallery, 2017, Kibera, Kenya.
This mural focuses on the uprising towards insecurity – how ordinary people rise peacefully in response to brutality against humanity.
It was inspired by Safe Insecure a verbatim poem composed by Juliana Mensah from the interview transcript of a Kenyan woman human rights defender working on extra-judicial killings and gender-based violence.
A Blanket for Human Rights Defenders
"A cobija is a blanket, and cobijar means to give shelter, to offer refuge, to protect someone. It’s a verb, an action. That’s the reason I like to make blankets from fabric scraps: making a blanket has a very symbolic meaning to me. And that’s why I decided to make one as a response to the project Navigating Risk, Managing Security, and Receiving Support at the University of York. It also has a double meaning: human rights defenders protect us, but we also need to protect, shelter and take care of them. We need to show the work they do as well as the risks they face and the way they deal with them."
In this essay, Rosa tells us why she made a blanket for human rights defenders and the meaning behind the fabrics, prints, and embroidery.
Inks on Perspex: Divine
Kilio cha haki,
Kilio cha mnyong’e
Machozi ya jamii,
Machozi ya wajane,
Machozi ya watoto,
Siku njema – itakuja lini?
A cry of justice,
A cry of the weak,
Tears of the community,
Tears of the widows,
Tears of the children,
Cries are heard,
We cry for justice,
Waiting for a new dawn
'Backstabbed' tells the story of a woman human rights defender whose son was killed to stop her
fighting for justice.
by Ndereva Mutua, 2017
Graphite pencil on ivory paper
Painting: The Witness
'The Witness' depicts a human rights defender witnessing his friend being killed while he anticipates his own death.
by Ndereva Mutua, 2017
Oil on canvas
To see more of Ndereva's work click here.
Dance Film: Vis-à-vis
Digital Artwork: We Are Fragmented
In this interactive digital artwork, Amira Hanafi translates the range and depth of emotions expressed by defenders at risk in this project into visual patterns, by classifying the emotions expressed and evoked.
Click on the image to begin.
Musical Composition: The Sound of Us
In The Sound of Us (05:48 mins), Way Dwi Arifianto reflects on the meaning and importance of tolerance in Indonesia.
Way drew inspiration from current events as well as from research findings in this project, including the verbatim poem A Temporary Place of Worship by Juliana Mensah based on the words of an Indonesia human rights defender working on freedom of religion.
In this composition, Way tries to escalate and describe situations and tensions through melody and ambiance. In reversing the main note and chord in part one and part three of this piece, he tries to describe that we can always 'flip' a situation.
In this brief, Wayhu explains his creative process.
What factors make you feel insecure / secure?
In our study, we ask defenders 'What factors make you feel insecure?' and 'What factors make you feel secure?'
Deena Mohamed illustrated some of the responses to these questions by defenders at risk in Egypt.
You can also down the PDFs here:
Film: Room at Region (X)
Room At Region (X) (12:05 mins) is an experimental fiction film by Nada Hassan. Inspired by verbatim poems composed by Juliana Mensah (Affective Necessities, Irruptions, and Safe Insecure), this film focuses on three main themes: enforced disappearance, isolation and exhaustion. In this film, we are in the mind of a woman human rights defender. In a rush of emotions, with subtle ironic anger, through a directional spoken monologue, she expresses exhaustion and feeling overwhelmed. She rediscovers the paradoxical meanings of fear and courage, security and insecurity, love and isolation.
Digital Web based Project: Indigenous jurisdiction
Juan Franco is a visual artist from Colombia. He has produced this digital work based on the experiences and transcripts of human rights defenders working on indigenous rights in Colombia. The words used are those of Margarita Hílamo Mestizo and Lucy Chamarro.
Click on the picture to access this digital artwork.
More of his work is available here
Music Video: Amba
“Amba is a call to action.
It is a memorization of past Heroes and Sheroes.
It praises those alive and defending the rights of people around the globe.
Amba is a sing-along that speaks out loud in celebration of those who inspired us in the past, to be able rise up today.”
Many of the artists in this project drew inspiration from the verbatim poems composed by Juliana Mensah from transcripts and notes of interviews with defenders at risk in this project.
The full set of poems is available here: